Hamish Robertson’sTrade Windsreflects a lifelong fascination with magazines—as both cultural artifact and design object. Drawing from a childhood surrounded by titles likeThe World of InteriorsandVogue, and later professional years in magazine publishing, Robertson turns to a period outside his own lived experience: a complete year ofElectronicsmagazine issues, published 12 years before he was born. These analog pages are the sole source material for a series of collages that blend historical context with intuitive image-making—reviving the past through layered, tactile compositions.